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Noah Gelber: Working for William Forsythe is a dream come true
In October Czech National Ballet premiered The Second Detail by choreographer William Forsythe. The company was rehearsed by Noah Gelber, former dancer of Forsythe’s company and one of his choreographic…
DANCETOPIA 2025: A space for care, relationality, and artistic regeneration
From June 16–24, the second edition of the international residency, symposium, and performative gathering DANCETOPIA 2025 took place at ALTA Air Camp in Kounice and Studio ALTA in Prague. With…
Still Waiting for a Path Out of Darkness: Pre-Concert Testing Forbidden, Concerts Canceled
A new Czech upstart called Cesta ze tmy (Path out of Darkness) offered event organizers a way to host events with an on-site PCR appointment covered by the price of…
“At twenty, conducting the finest orchestras is like trading driving lessons for a brand-new Lamborghini.” Daniele Gatti makes his way to Dvořák’s Prague.
In the upcoming episode of conductor Jan Bubák’s video interview series, you’ll meet the charismatic Italian maestro Daniele Gatti, who will perform this weekend at the Dvořák Prague Festival together…
Composers Are Originals – Tomáš Netopil Breaks the Conductor vs. Composer Myth
interview by Anna Šerých On 9th of April 2025 the Prague Symphony Orchestra FOK where the newly designated chief conductor, Tomáš Netopil, officially introduced the orchestra’s programme for the upcoming…
This isn’t about being liked. It’s about playing something that matters, says Miroslav Beinhauer
Born in Ostrava, pianist Miroslav Beinhauer (1993) is becoming an increasingly sought-after interpreter of contemporary music. This April, he released the complete quarter-tone works for solo piano by Alois Hába…
