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Maria Baranova: The dialogue between you, your partner and the public is most important
We met Maria Baranova, prima ballerina of the Munich Ballet, thanks to the Bubeníček International Ballet Gala project. This fragile…
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Douglas Rosenberg: I think about art as a continuum
Douglas Rosenberg is an American visual artist, director, curator, theorist, and author of several publications…
DANCETOPIA 2025: A space for care, relationality, and artistic regeneration
From June 16–24, the second edition of the international residency, symposium, and performative gathering DANCETOPIA…
Sergio Méndez Romero: Message comes first, aesthetics will follow
With dancers, we usually talk about their favourite roles and performances, but I am always…
Main news of the season: Jakub Hrůša takes over the baton of the Czech Philharmonic
-David Mareček, Chief Executive of the Czech Philharmonic, has just announced that the renowned Czech…
Interpretation is not a conflict between reason and emotion – it is their integration,” says pianist Pierre-Laurent Aimard
Two weeks ago, while driving between concerts on the German autobahn, I passed the time…
Akiko Suwanai: In Berg’s Concerto, I Deliberately Play ‘Wrong’ Notes
Japanese violinist Akiko Suwanai has been a sought-after soloist since the age of eighteen, when…
