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A Musical Advent Calendar? The National Theater Opera and the State Opera Launch Their New Online Project
The soloists, choruses, and orchestras of the two Prague-based opera ensembles are…
Why? The Zippered Facemask for Wind Players on Stage and in the Classroom Semyon Bychkov: The conductor has to be obsessed with his music June Opera Plus Digest! Interpretation is not a conflict between reason and emotion – it is their integration,” says pianist Pierre-Laurent Aimard Notes from Czechia’s Second Corona Wave Evgeny Kissin exclusive interview: “I’ve had a plan through 2050” Start Your Year With Czech Music! National Theater Production: The Little MermaidCelebrity Interviews Plus: Anja Silja – the Most Modern Wagner Voice A Musical Advent Calendar? The National Theater Opera and the State Opera Launch Their New Online Project National Theater Production: The Little Mermaid Composers Are Originals – Tomáš Netopil Breaks the Conductor vs. Composer Myth Who’s Afraid of Live Events? Czech Attitudes in the Time of CoronaFollow USCulture Jaroslav Vodňanský a conductor with an exceptionally long career has died at the age of 89 Sergio Méndez Romero: Message comes first, aesthetics will follow Concert at the National Theater To Highlight “Non-Essential” Workers of the Pandemic National Theater Production: The Little Mermaid Russian hackers attempt to attack Opera PLUSFashion The 125th Anniversary Season of the Czech Philharmonic Dvořák’s New World Symphony To Sound on Three Continents Akiko Suwanai: In Berg’s Concerto, I Deliberately Play ‘Wrong’ Notes Czech Composer, Poet, and Improviser Markéta Procházková-Lutková Passes Away Too Soon My biggest wish is not to make a fool of myself at Abbey Road, says Tomáš Borl, of a scholarship to Berklee CollegeLatest News My biggest wish is not to make a fool of myself at Abbey Road, says Tomáš Borl, of a scholarship to Berklee College Opera PLUS has been ranked among the fifteen most influential online portals dedicated to classical music Embracing the Unknown: Dance and Performance in the Light of Critical Thought Offered by Dancetopia 2025 in Kounice This isn’t about being liked. It’s about playing something that matters, says Miroslav Beinhauer Douglas Rosenberg: I think about art as a continuum DANCETOPIA 2025: A space for care, relationality, and artistic regeneration
National Theater Production: The Little Mermaid
Far away, at the very bottom of the ocean, which no anchor…
Composers Are Originals – Tomáš Netopil Breaks the Conductor vs. Composer Myth
interview by Anna Šerých On 9th of April 2025 the Prague Symphony…
Who’s Afraid of Live Events? Czech Attitudes in the Time of Corona
In late August and early September, a Czech research agency surveyed 1000…
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