Every return to Dvořák unlocks a new musical landscape, says conductor Riccardo Chailly
Italian conductor Riccardo Chailly and the Filarmonica della Scala, of which he…
Dance is Still a Marginalised and Niche Form, Says Isabel Lewis, Co-Artistic Director of Tanzquartier Wien
Isabel Lewis is a choreographer, artist, and theoretician known for creating socio-choreographic…
Lyrical Mix in between Power, Freedom, Strength and Joy. With Nina Fernandes and Erivan Garioli about George Balanchine and Much More
In just a few days, on June 18 and 19, audiences can…
NODO 2026: White Death Transforms the End of the World into an Evocative Post-Operatic Ritual
Miroslav Tóth turned the second evening of the NODO festival into an…
Short documentary: Thanks to Rafael Kubelík, he left for the free world.
We preset you the premiere of a short documentary about one of…
Parsifal at the State Opera: A Touch of World-Class Flare with a Lasting First Impression
Richard Wagner’s final opera, Parsifal – a Bühnenweihfestspiel (festival play for the…
Being sincere with the audience is more important than perfect technique. Receiving the Thalia Award doesn’t mean I’m the best dancer, says Federico Ievoli, principal dancer with the National Theater Ballet
Federico Ievoli has been a member of the National Theatre Ballet for…
Evgeny Kissin in exceptional form. An interpretation that wounds, overwhelms, and transcends music itself
On 11 January 2026 at 5:30 p.m., Prague’s Rudolfinum welcomed Evgeny Kissin,…
