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Terrifying Tár. Women conductors? Let’s not make curiosities out of them.
An American film about the rise and fall of conductor Lydia Tár…
A New Concert Hall for Prague? Lenka Hlávková, director of the Institute of Musicology, was the victim of yesterday’s shooting Interview Plus: Gil Shaham – the violinist who keeps changingCulture Terrifying Tár. Women conductors? Let’s not make curiosities out of them. Concert at the National Theater To Highlight “Non-Essential” Workers of the Pandemic Who’s Afraid of Live Events? Czech Attitudes in the Time of CoronaMust Read Akiko Suwanai: In Berg’s Concerto, I Deliberately Play ‘Wrong’ Notes Concert at the National Theater To Highlight “Non-Essential” Workers of the Pandemic I’m closing the circle – as an American, I’ll be presenting Korngold in his native Moravia, says Joshua Brown What Does a Covid-19 Outbreak at a Major Theater Look Like in Practice?Celebrity Concert at the National Theater To Highlight “Non-Essential” Workers of the Pandemic Douglas Rosenberg: I think about art as a continuum Das Rheingold Celebrates its 150th AnniversaryFashion Folklore in Music. Prague Philharmonia Opens a New Chamber Season Dresden premiere of The Jewess of Toledo: Glanert’s music as an emotional mirror The Festival Must Go On: Prague Spring Festival To Welcome Live AudiencesLatest Videos Why? The Zippered Facemask for Wind Players on Stage and in the Classroom Another Wave of Coronavirus Restrictions in the Czech Republic Means Two Weeks of No Singing Float or Swim: How did Czech Orchestras Survive 2020?Latest Stories Arkadij Volodos at the Firkušný Festival: A Master of Miniature, Mood, and Character “I see myself as just an interpreter; the true artist is the composer,” says Mahan Esfahani Plácido Domingo Proves in Prague That Age Is Just a Number I’m closing the circle – as an American, I’ll be presenting Korngold in his native Moravia, says Joshua Brown Maria Baranova: The dialogue between you, your partner and the public is most important Evgeny Kissin exclusive interview: “I’ve had a plan through 2050” Dvořák’s music resonates deeply within me – its lyrical warmth and folkloric roots feel like home, says Chinese cellist Yibai Chen “At twenty, conducting the finest orchestras is like trading driving lessons for a brand-new Lamborghini.” Daniele Gatti makes his way to Dvořák’s Prague.Follow US
Concert at the National Theater To Highlight “Non-Essential” Workers of the Pandemic
On February 27th, at 8:10pm local time, the National Theater in Prague…
Who’s Afraid of Live Events? Czech Attitudes in the Time of Corona
In late August and early September, a Czech research agency surveyed 1000…
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Folklore in Music. Prague Philharmonia Opens a New Chamber Season
Prague Philharmonia opens its 32nd Chamber Season with a return to the…
Dresden premiere of The Jewess of Toledo: Glanert’s music as an emotional mirror
review by Milan Valden The German composer Detlev Glanert is one of…
The Festival Must Go On: Prague Spring Festival To Welcome Live Audiences
The Prague Spring Festival (Festival Pražské Jaro) is part of the Czech…
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