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The Festival Must Go On: Prague Spring Festival To Welcome Live Audiences
The Prague Spring Festival (Festival Pražské Jaro) is part of the Czech…
Will Soňa Červená’s Fund Support Young Artists as Eclectic as the Singer Herself? What Does a Covid-19 Outbreak at a Major Theater Look Like in Practice? Elīna Garanča and Czech conductor Jan Bubák in Vienna State Opera, exclusive interviewCulture The Festival Must Go On: Prague Spring Festival To Welcome Live Audiences DANCETOPIA 2025: A space for care, relationality, and artistic regeneration Embracing the Unknown: Dance and Performance in the Light of Critical Thought Offered by Dancetopia 2025 in KouniceMust Read This isn’t about being liked. It’s about playing something that matters, says Miroslav Beinhauer “I see myself as just an interpreter; the true artist is the composer,” says Mahan Esfahani Plácido Domingo Proves in Prague That Age Is Just a Number Arts Are the Basis of Modern Democracy: Open Letter to the Czech Government About Arts Funding Gains Broad SupportCelebrity Viola-da-Gamba Player and Historical String Instrument Collector José Vasquez Dies of Covid The Festival Must Go On: Prague Spring Festival To Welcome Live Audiences Interview with Adi Halfin: You Have to Find Creative SolutionsFashion Diana Damrau in Prague: “My vocal cord injury enabled me to understand my voice deeper” Opera PLUS Retro (3): 70 Years Since the Death of Coloratura star Míla Kočová Noah Gelber: Working for William Forsythe is a dream come trueLatest Videos A Look at the Life and Work of Opera Legend, Luciano Pavarotti. Documentary: The Last Concert of the 88-year-old Czech Genius Organist Jaroslav Vodrážka Plácido Domingo Proves in Prague That Age Is Just a NumberLatest Stories Short documentary: Thanks to Rafael Kubelík, he left for the free world. Parsifal at the State Opera: A Touch of World-Class Flare with a Lasting First Impression Being sincere with the audience is more important than perfect technique. Receiving the Thalia Award doesn’t mean I’m the best dancer, says Federico Ievoli, principal dancer with the National Theater Ballet Evgeny Kissin in exceptional form. An interpretation that wounds, overwhelms, and transcends music itself Ardašev’s Interpretation of Kabeláč Proved More Striking Than Beethoven Arkadij Volodos at the Firkušný Festival: A Master of Miniature, Mood, and Character “I see myself as just an interpreter; the true artist is the composer,” says Mahan Esfahani Plácido Domingo Proves in Prague That Age Is Just a NumberFollow US
DANCETOPIA 2025: A space for care, relationality, and artistic regeneration
From June 16–24, the second edition of the international residency, symposium, and…
Embracing the Unknown: Dance and Performance in the Light of Critical Thought Offered by Dancetopia 2025 in Kounice
This is an open-ended conversation with American artists and dance theorists Nora…
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Diana Damrau in Prague: “My vocal cord injury enabled me to understand my voice deeper”
World coloratura star Diana Damrau visited Prague at the beginning of November…
Opera PLUS Retro (3): 70 Years Since the Death of Coloratura star Míla Kočová
It's been seventy years since the death of influential Czech singer Míla…
Noah Gelber: Working for William Forsythe is a dream come true
In October Czech National Ballet premiered The Second Detail by choreographer William…
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