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Do Czechs Support Freelance Musicians During a Pandemic?: The Case of Radek Baborák’s Fundraiser
Musicians based in the Czech Republic who hold permanent positions with state-subsidized…
Eva Horáková, Longtime Soloist of the Laterna Magika Theater and Head of Ballet at the Czech National Theater Opera, Dies at 50 What Does a Covid-19 Outbreak at a Major Theater Look Like in Practice? DANCETOPIA 2025: A space for care, relationality, and artistic regenerationCulture Do Czechs Support Freelance Musicians During a Pandemic?: The Case of Radek Baborák’s Fundraiser Dresden premiere of The Jewess of Toledo: Glanert’s music as an emotional mirror Pandemic Relief: For the Coming Month, Czech Live Event Organizers May Each Apply for up to 191.5 Million EurosMust Read Podcast Plus Hany Polanské Semyon Bychkov: The conductor has to be obsessed with his music Interviews Plus: Anja Silja – the Most Modern Wagner Voice Concert at the National Theater To Highlight “Non-Essential” Workers of the PandemicCelebrity Soprano Patricia Burda Janečková died at the age of 25 Prague National Theatre mourns the death of legendary Lenka Šmídová Artists Shaken by Sudden Lockdown in the Moravian-Silesian RegionFashion Composers Are Originals – Tomáš Netopil Breaks the Conductor vs. Composer Myth Contemporary Czech Orchestra Presents a Nightmarish Covid Video Project in Abandoned Hotels How the Thalia Awards are created: a polemic with Filip StanekLatest Videos Interview: Plácido Domingo: “I always admired Peter Dvorský. He was one of the greatest tenors.” Das Rheingold Celebrates its 150th Anniversary Sergio Méndez Romero: Message comes first, aesthetics will followLatest Stories “I see myself as just an interpreter; the true artist is the composer,” says Mahan Esfahani Plácido Domingo Proves in Prague That Age Is Just a Number I’m closing the circle – as an American, I’ll be presenting Korngold in his native Moravia, says Joshua Brown Maria Baranova: The dialogue between you, your partner and the public is most important Evgeny Kissin exclusive interview: “I’ve had a plan through 2050” Dvořák’s music resonates deeply within me – its lyrical warmth and folkloric roots feel like home, says Chinese cellist Yibai Chen “At twenty, conducting the finest orchestras is like trading driving lessons for a brand-new Lamborghini.” Daniele Gatti makes his way to Dvořák’s Prague. Folklore in Music. Prague Philharmonia Opens a New Chamber SeasonFollow US
Dresden premiere of The Jewess of Toledo: Glanert’s music as an emotional mirror
review by Milan Valden The German composer Detlev Glanert is one of…
Pandemic Relief: For the Coming Month, Czech Live Event Organizers May Each Apply for up to 191.5 Million Euros
On July 20th, the Czech Ministry of Industry and Trade, in collaboration…
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Composers Are Originals – Tomáš Netopil Breaks the Conductor vs. Composer Myth
interview by Anna Šerých On 9th of April 2025 the Prague Symphony…
Contemporary Czech Orchestra Presents a Nightmarish Covid Video Project in Abandoned Hotels
A violinist in the bathtub, a world premiere, a murder in live…
How the Thalia Awards are created: a polemic with Filip Stanek
A few days ago we published a polemical gloss by Filip Stanek…
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