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Standing ovation for Lang Lang in Prague
Brilliant runs, breathtaking tempos, massive dynamic range and gripping theatrical gestures. All…
Pandemic Relief: For the Coming Month, Czech Live Event Organizers May Each Apply for up to 191.5 Million Euros Akiko Suwanai: In Berg’s Concerto, I Deliberately Play ‘Wrong’ Notes What Does a Covid-19 Outbreak at a Major Theater Look Like in Practice?Culture Standing ovation for Lang Lang in Prague Akiko Suwanai: In Berg’s Concerto, I Deliberately Play ‘Wrong’ Notes Lenka Hlávková, director of the Institute of Musicology, was the victim of yesterday’s shootingMust Read Contemporary Czech Orchestra Presents a Nightmarish Covid Video Project in Abandoned Hotels “I see myself as just an interpreter; the true artist is the composer,” says Mahan Esfahani Soprano Patricia Burda Janečková died at the age of 25 DANCETOPIA 2025: A space for care, relationality, and artistic regenerationCelebrity Who’s Afraid of Live Events? Czech Attitudes in the Time of Corona Elīna Garanča and Czech conductor Jan Bubák in Vienna State Opera, exclusive interview Interview with Adi Halfin: You Have to Find Creative SolutionsFashion Terrifying Tár. Women conductors? Let’s not make curiosities out of them. Starting the Year Off Right: OperaPlus Launches Job Directory “Hello, you have reached Central78”: A Unique Happening Deals With The Loneliness of Closed TheatersLatest Videos Russian hackers attempt to attack Opera PLUS Dresden premiere of The Jewess of Toledo: Glanert’s music as an emotional mirror Diana Damrau in Prague: “My vocal cord injury enabled me to understand my voice deeper”Latest Stories “I see myself as just an interpreter; the true artist is the composer,” says Mahan Esfahani Plácido Domingo Proves in Prague That Age Is Just a Number I’m closing the circle – as an American, I’ll be presenting Korngold in his native Moravia, says Joshua Brown Maria Baranova: The dialogue between you, your partner and the public is most important Evgeny Kissin exclusive interview: “I’ve had a plan through 2050” Dvořák’s music resonates deeply within me – its lyrical warmth and folkloric roots feel like home, says Chinese cellist Yibai Chen “At twenty, conducting the finest orchestras is like trading driving lessons for a brand-new Lamborghini.” Daniele Gatti makes his way to Dvořák’s Prague. Folklore in Music. Prague Philharmonia Opens a New Chamber SeasonFollow US
Akiko Suwanai: In Berg’s Concerto, I Deliberately Play ‘Wrong’ Notes
Japanese violinist Akiko Suwanai has been a sought-after soloist since the age…
Lenka Hlávková, director of the Institute of Musicology, was the victim of yesterday’s shooting
Lenka Hlávková, director of the Institute of Musicology, succumbed to her injuries…
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Terrifying Tár. Women conductors? Let’s not make curiosities out of them.
An American film about the rise and fall of conductor Lydia Tár…
Starting the Year Off Right: OperaPlus Launches Job Directory
As part of its efforts to be a positive force on the…
“Hello, you have reached Central78”: A Unique Happening Deals With The Loneliness of Closed Theaters
“Hello, you have reached Central78 – a special, telephonic happening by Cirk…
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