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Standing ovation for Lang Lang in Prague
Brilliant runs, breathtaking tempos, massive dynamic range and gripping theatrical gestures. All…
How the Thalia Awards are created: a polemic with Filip Stanek Pandemic Relief: For the Coming Month, Czech Live Event Organizers May Each Apply for up to 191.5 Million Euros Musica Florea and the Hartig Ensemble To Perform Beethoven’s Only BalletCulture Standing ovation for Lang Lang in Prague A New Concert Hall for Prague? Václav Věžník, One of the Last Traditional Opera Directors, Turns 90Must Read Diana Damrau in Prague: “My vocal cord injury enabled me to understand my voice deeper” Will Soňa Červená’s Fund Support Young Artists as Eclectic as the Singer Herself? Václav Věžník, One of the Last Traditional Opera Directors, Turns 90 I’m closing the circle – as an American, I’ll be presenting Korngold in his native Moravia, says Joshua BrownCelebrity Will Soňa Červená’s Fund Support Young Artists as Eclectic as the Singer Herself? A Look at the Life and Work of Opera Legend, Luciano Pavarotti. DANCETOPIA 2025: A space for care, relationality, and artistic regenerationFashion Interview: Fascination with Wagner: Jiří Vejvoda and Andreas Schager June Opera Plus Digest! Who’s Afraid of Live Events? Czech Attitudes in the Time of CoronaLatest Videos Interview: Plácido Domingo: “I always admired Peter Dvorský. He was one of the greatest tenors.” Evgeny Kissin in exceptional form. An interpretation that wounds, overwhelms, and transcends music itself “We Have Chosen to Go Down a Risky Path:” What Will Happen To Live Music In The Czech Republic?Latest Stories “I see myself as just an interpreter; the true artist is the composer,” says Mahan Esfahani Plácido Domingo Proves in Prague That Age Is Just a Number I’m closing the circle – as an American, I’ll be presenting Korngold in his native Moravia, says Joshua Brown Maria Baranova: The dialogue between you, your partner and the public is most important Evgeny Kissin exclusive interview: “I’ve had a plan through 2050” Dvořák’s music resonates deeply within me – its lyrical warmth and folkloric roots feel like home, says Chinese cellist Yibai Chen “At twenty, conducting the finest orchestras is like trading driving lessons for a brand-new Lamborghini.” Daniele Gatti makes his way to Dvořák’s Prague. Folklore in Music. Prague Philharmonia Opens a New Chamber SeasonFollow US
A New Concert Hall for Prague?
Deliberations about building a new, large concert hall in Prague have been…
Václav Věžník, One of the Last Traditional Opera Directors, Turns 90
Václav Věžník is an important figure in the world of Czech opera…
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Interview: Fascination with Wagner: Jiří Vejvoda and Andreas Schager
Music journalist Jiří Vejvoda and tenor Andreas Schager met at the National…
June Opera Plus Digest!
On this last Sunday of the month, we would like to present…
Who’s Afraid of Live Events? Czech Attitudes in the Time of Corona
In late August and early September, a Czech research agency surveyed 1000…
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