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Who’s Afraid of Live Events? Czech Attitudes in the Time of Corona
In late August and early September, a Czech research agency surveyed 1000…
Sergio Méndez Romero: Message comes first, aesthetics will follow Interview with Adi Halfin: You Have to Find Creative Solutions National Theater Production: The Little MermaidCulture Who’s Afraid of Live Events? Czech Attitudes in the Time of Corona Embracing the Unknown: Dance and Performance in the Light of Critical Thought Offered by Dancetopia 2025 in Kounice Dance is Still a Marginalised and Niche Form, Says Isabel Lewis, Co-Artistic Director of Tanzquartier WienMust Read Arkadij Volodos at the Firkušný Festival: A Master of Miniature, Mood, and Character Opera PLUS Retro (3): 70 Years Since the Death of Coloratura star Míla Kočová Interpretation is not a conflict between reason and emotion – it is their integration,” says pianist Pierre-Laurent Aimard “Hello, you have reached Central78”: A Unique Happening Deals With The Loneliness of Closed TheatersCelebrity Opera PLUS has been ranked among the fifteen most influential online portals dedicated to classical music Will Soňa Červená’s Fund Support Young Artists as Eclectic as the Singer Herself? Do Czechs Support Freelance Musicians During a Pandemic?: The Case of Radek Baborák’s FundraiserFashion A Solemn Happening Commemorating Canceled Performances Across the Czech Republic Interview: Fascination with Wagner: Jiří Vejvoda and Andreas Schager Prague National Theatre mourns the death of legendary Lenka ŠmídováLatest Videos Standing ovation for Lang Lang in Prague My biggest wish is not to make a fool of myself at Abbey Road, says Tomáš Borl, of a scholarship to Berklee College The Festival Must Go On: Prague Spring Festival To Welcome Live AudiencesLatest Stories Short documentary: Thanks to Rafael Kubelík, he left for the free world. Parsifal at the State Opera: A Touch of World-Class Flare with a Lasting First Impression Being sincere with the audience is more important than perfect technique. Receiving the Thalia Award doesn’t mean I’m the best dancer, says Federico Ievoli, principal dancer with the National Theater Ballet Evgeny Kissin in exceptional form. An interpretation that wounds, overwhelms, and transcends music itself Ardašev’s Interpretation of Kabeláč Proved More Striking Than Beethoven Arkadij Volodos at the Firkušný Festival: A Master of Miniature, Mood, and Character “I see myself as just an interpreter; the true artist is the composer,” says Mahan Esfahani Plácido Domingo Proves in Prague That Age Is Just a NumberFollow US
Embracing the Unknown: Dance and Performance in the Light of Critical Thought Offered by Dancetopia 2025 in Kounice
This is an open-ended conversation with American artists and dance theorists Nora…
Dance is Still a Marginalised and Niche Form, Says Isabel Lewis, Co-Artistic Director of Tanzquartier Wien
Isabel Lewis is a choreographer, artist, and theoretician known for creating socio-choreographic…
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A Solemn Happening Commemorating Canceled Performances Across the Czech Republic
Tomorrow (Monday, October 12th, 2020) lights will appear all over the Czech…
Interview: Fascination with Wagner: Jiří Vejvoda and Andreas Schager
Music journalist Jiří Vejvoda and tenor Andreas Schager met at the National…
Prague National Theatre mourns the death of legendary Lenka Šmídová
At the age of 60 one of the most beloved and famous…
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