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Interviews Plus: Anja Silja – the Most Modern Wagner Voice
Soprano Anja Silja is a living legend of world opera, often called…
“I see myself as just an interpreter; the true artist is the composer,” says Mahan Esfahani Interview with Adi Halfin: You Have to Find Creative Solutions Das Rheingold Celebrates its 150th AnniversaryCulture Interviews Plus: Anja Silja – the Most Modern Wagner Voice Interpretation is not a conflict between reason and emotion – it is their integration,” says pianist Pierre-Laurent Aimard Pianist Eugen Indjic: Prague has been my most faithful city for over fifty yearsMust Read Viola-da-Gamba Player and Historical String Instrument Collector José Vasquez Dies of Covid Taking Flight: Three Prague-Based Cultural Organizations Team Up to Crowdfund a New Beginning June Opera Plus Digest! Should the New Prague Concert Hall be Digital?: Two Points of ViewCelebrity Exclusive Interview: Krzysztof Penderecki and Conductor Jan Bubák New Concert Master of the Czech Philharmonic June Opera Plus Digest!Fashion Main news of the season: Jakub Hrůša takes over the baton of the Czech Philharmonic Maria Baranova: The dialogue between you, your partner and the public is most important Dance is Still a Marginalised and Niche Form, Says Isabel Lewis, Co-Artistic Director of Tanzquartier WienLatest Videos Cecilia Bartoli – “The quality of our lives is defined and shaped by our culture” Arts Are the Basis of Modern Democracy: Open Letter to the Czech Government About Arts Funding Gains Broad Support Opera PLUS Retro (3): 70 Years Since the Death of Coloratura star Míla KočováLatest Stories NODO 2026: White Death Transforms the End of the World into an Evocative Post-Operatic Ritual Short documentary: Thanks to Rafael Kubelík, he left for the free world. Parsifal at the State Opera: A Touch of World-Class Flare with a Lasting First Impression Being sincere with the audience is more important than perfect technique. Receiving the Thalia Award doesn’t mean I’m the best dancer, says Federico Ievoli, principal dancer with the National Theater Ballet Evgeny Kissin in exceptional form. An interpretation that wounds, overwhelms, and transcends music itself Ardašev’s Interpretation of Kabeláč Proved More Striking Than Beethoven Arkadij Volodos at the Firkušný Festival: A Master of Miniature, Mood, and Character “I see myself as just an interpreter; the true artist is the composer,” says Mahan EsfahaniFollow US
Interpretation is not a conflict between reason and emotion – it is their integration,” says pianist Pierre-Laurent Aimard
Two weeks ago, while driving between concerts on the German autobahn, I…
Pianist Eugen Indjic: Prague has been my most faithful city for over fifty years
The American pianist Eugen Indjic (1947), originally from Russia, is one of…
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Main news of the season: Jakub Hrůša takes over the baton of the Czech Philharmonic
-David Mareček, Chief Executive of the Czech Philharmonic, has just announced that…
Maria Baranova: The dialogue between you, your partner and the public is most important
We met Maria Baranova, prima ballerina of the Munich Ballet, thanks to…
Dance is Still a Marginalised and Niche Form, Says Isabel Lewis, Co-Artistic Director of Tanzquartier Wien
Isabel Lewis is a choreographer, artist, and theoretician known for creating socio-choreographic…
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